The basic approach of the app is broadly similar, and will be familiar to anyone who has used it before.īefore we get to those however, a quick look at what’s not changed. The graphical feel is still very Windows-centric, though this can be changed by switching the look to the “Mac OS” option. This is a result of WaveLab's history as a Windows application and the difficulty of completely rewriting legacy code for a new platform. It won’t bother everyone of course and it’s not a deal-breaker, but for a company that is so good at user interfaces (as a quick glance at Cubase will show), it just seems a shame that WaveLab feels a bit clunky. There’s a lot you can do with windows, including telling WaveLab where to live in the context of your computer’s screen. Once you have loaded one or more audio files into Wavelab, or indeed recorded them directly in, you have a wealth of options available to you as regards editing, processing and analysis. Files can be manipulated in almost any way conceivable, and there’s support for a huge array of import and export formats, batch processing, the ability to export podcasts and even upload directly to SoundCloud. The workings of wave editors may be familiar to many people, so let’s look instead at what’s new in WaveLab 8.ĭuring mastering, auditioning your sound on different speakers is absolutely vital, to ensure that the end result sounds as good as it can on as wide a range of speakers as it can.
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